Nana Patekar death has been reported at the age of 75 after the veteran actor was found unresponsive at his flat in Goa on Thursday, October 8. He had reportedly experienced severe chest pain before a medical team was called to his residence.
According to information shared by his son Malhar Patekar, the actor was found unresponsive when medical personnel arrived. Attempts were made to revive him before he was taken to Manipal Hospital, where doctors continued resuscitation efforts for around 45 minutes. He was declared dead at the hospital in the early morning.
Since Patekar was not a registered patient at the hospital, police were informed as part of the required procedure. His body was taken to Goa Medical College for a post-mortem examination.
His cremation is expected to take place at his farmhouse in Pune, according to his reported last wishes. Maharashtra Cultural Affairs Minister Ashish Shelar also announced that Patekar would be accorded a state funeral with full state honours in recognition of his contribution to Marathi theatre and Hindi and Marathi cinema.
Nana Patekar’s Final Appearance
Patekar’s last public appearance was reportedly at the Samraat Club International installation ceremony in Goa’s Dona Paula on October 4, four days before his death.
At the event, the actor spoke about life, responsibility and mortality while recalling his friendship with former Goa Chief Minister Manohar Parrikar. His remarks about how life eventually comes to an end have since gained renewed attention following his death.
A Career Across Hindi and Marathi Cinema
Born into a career spanning theatre and multiple film industries, Patekar made his Hindi film debut with Gaman in 1978. He later established himself through films including Ankush, Parinda, Krantiveer, Agni Sakshi, Khamoshi: The Musical, Ab Tak Chhappan, Apaharan, Raajneeti and Welcome.
His portrayal of Anna in Parinda earned him a National Film Award, while Krantiveer brought another National Film Award for Best Actor. He also remained closely associated with Marathi cinema, with Natsamrat becoming one of his most acclaimed later performances.
Patekar also directed Prahaar: The Final Attack and was involved in social work through the Naam Foundation, which he co-founded with actor Makarand Anaspure to support drought-affected farming communities in Maharashtra.
His later work included films such as Vanvaas, Housefull 5, O' Romeo and Subedaar. His career across theatre, Hindi cinema and Marathi cinema established him as one of India’s most distinctive and respected performers.
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