A venue at the Kochi-Muziris Biennale was temporarily closed following protests by Catholic and other Christian organisations over an artwork depicting a reinterpretation of Jesus Christ’s ‘Last Supper’. The controversy has triggered a wider debate on artistic freedom and religious sensitivity.
The artwork in question, created by Kerala-based artist Tom Vattakuzhy, was displayed as part of the Biennale’s curated exhibition titled Idam. Christian groups alleged that the painting hurt religious sentiments and distorted the traditional depiction of Jesus Christ and the iconic biblical scene.
The Kerala Latin Catholic Association demanded the immediate removal of the artwork and sought a public apology within 24 hours. The organisation questioned the use of public funds for what it described as an insult to Christian faith, arguing that freedom of expression should not come at the cost of religious disrespect.
The Syro-Malabar Church also expressed concern, stating that while artistic expression is vital in a democratic society, it should not misrepresent deeply held religious beliefs or provoke hurt sentiments.
Biennale organisers said the venue was shut temporarily following protests to prevent any law-and-order situation, particularly during New Year celebrations. They clarified that the closure was part of standard restrictions and that all venues would reopen on January 2.
Responding to the allegations, artist Tom Vattakuzhy rejected claims of disrespect, stating that the artwork was inspired by a theatrical play and that interpretation of art varies from person to person. He maintained that there was no intention to offend or defame Christian beliefs.
Meanwhile, Youth Congress workers also staged protests at the Biennale venue in Kochi, intensifying the debate around the limits of artistic freedom and the responsibility of publicly funded cultural platforms.
The incident has once again brought into focus the recurring tension between creative expression and religious sensitivities in public art spaces.
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