Ikkis Review: Dharmendra, Agastya Nanda Deliver a War Film Beyond Loud Patriotism

Ikkis Review: Dharmendra, Agastya Nanda Deliver a War Film Beyond Loud Patriotism

Ikkis is not a conventional war film driven by loud slogans or muscular nationalism. Directed by Sriram Raghavan, the film takes a quieter, more introspective route as it chronicles the life and sacrifice of Param Vir Chakra awardee Arun Khetarpal during the 1971 India-Pakistan war.

The story centres on 21-year-old Second Lieutenant Arun Khetarpal, who was sent into battle even before completing his military training. Instead of glorifying combat, Ikkis focuses on the emotional cost of war — the lives interrupted, families scarred, and trauma that lingers long after the battlefield falls silent.

The film’s biggest strength lies in its sensitivity. At a time when war dramas often rely on chest-thumping patriotism, Ikkis chooses restraint. The first half gently immerses viewers into the personal lives of young cadets — their camaraderie, ambitions, moments of vulnerability and early brushes with love. These intimate details humanise soldiers beyond their uniforms.

However, the second half slightly falters as the narrative shifts between timelines. While both timelines carry emotional weight, the frequent transitions dilute the impact, leading to a climax that feels more subdued than expected.

Agastya Nanda delivers a sincere performance as Arun Khetarpal. His portrayal is marked by innocence and quiet resolve, fitting the film’s restrained tone. Without relying on dramatic flourishes, he leaves a lasting impression, making Ikkis a significant step forward after his debut.

Dharmendra brings immense emotional depth to the film as a grieving father and former soldier. His character’s refusal to channel grief into hatred stands out as the film’s moral backbone. Rather than demonising the enemy, the film questions the political systems that repeatedly claim young lives.

Jaideep Ahlawat is dependable in his role, particularly in scenes shared with Dharmendra, though some dialogue-heavy sequences slightly feel out of place. Debutant Simar Bhatia adds warmth, capturing the innocence of young love amid looming tragedy.

What sets Ikkis apart is its clear message: war is never just about victory or defeat. It devastates families, fractures generations, and leaves wounds that rarely heal. The film’s humane portrayal of select Pakistani characters further reinforces this message, offering a rare, balanced perspective.

Opening with Kaifi Azmi’s poignant words “Kar chale hum fida”, the film also serves as a subtle tribute to Dharmendra’s cinematic legacy. In doing so, Ikkis becomes less about glorifying war and more about remembering its true cost.

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